Martha Argerich, for many of us, has long been an enigma. She has always been a private person, one who does not seek the spotlight, who even cancels performances because, it is said, of nervousness, shyness. Filmmaker Georges Gachot, after years of entreaties, gets her to agree, to speak with him on camera. She comes across as a soft-spoken, shy, immensely intelligent but often cryptic person, one who has idiosyncratic but attractive ideas about her relationships with composers and various pieces of music. For instance, she will not play the Beethoven Fourth Concerto because she is afraid of 'what might happen', this after talking about the galvanic emotional effect it has had on her ever since she heard Claudio Arrau play it when she was ... Read More:
>>More Details
I approached this CD with caution given the hype that has surrounded recent appearances of both singers. I must confess that contrary to my expectations I was deeply moved by the singing here which recalls other great operatic couples of the past, Callas and di Stefano, Tebaldi and del Monaco. The recording has rarely been far from my CD player for the past two weeks.
As with the legendary couples from the past, there is something uneven about the two voices. Netrebko's voice is not a warm voice but is beautifully focused, always on the note and has to my ears a dark unjuicy quality. It is a stunning voice. Villazon, by contrast, has a voice that could hardly be described as beautiful the way that Corelli's, Pavarotti's or Domingo's ... Read More:
>>More Details
`Cortes' is the second album by Icelandic born (in 1974) tenor Gardar Thor Cortes, although his debut album of two years earlier (also called Cortes, but with a different collection of songs) was released only in his native Iceland. It reached No. 1 in the UK Classical charts (for 2 weeks) and peaked at No. 27 in the UK albums chart after its release in April 2007.
Opening with Nella Fantasia is a safe option, and I think this is a good version, but it's been covered by many singers recently so doesn't tell us much about Cortes. More interesting choices are the cover version of `Hunting High and Low' by Norwegian pop band 'a-ha', and the Mauro Malavasi composition `Romanza' written for Andrea Bocelli who made it into a huge hit ... Read More:
>>More Details
This 2CD release is a great collection of classical music which bears no real relevance to the 2008 in the title other than being released almost (!) in 2008.
The only common factor between all the tracks is that they are all, without exception, performed by top artists, making the album both highly recommended and, considering the numerous different performers who are included, guaranteed to please most listeners.
The album doesn't make any 'Best of', 'Ultimate' or 'The Only One You'll ever Need' claims because quite simply anyone who likes it will probably want more, the obvious choice of course is the inevitable 'Classical 2009' release next year.
Yes, this is an "old recording" and it shows the technology of its age with a slight lack of bright crispness, but DON'T LET THIS PUT YOU OFF.
There are some performances that are genuinely special and even if they were recorded in 1964, before the advent of digital recording techniques, they remain special nevertheless. This performance has gravitas, power, majesty and sublime magnificence.
Yes, I'd accept that Lucia Popp could have done with being a bit more fearsome - she is, after all, the epitome of monstrous evil - but that is the tiniest of criticisms when you're wallowing in her GLORIOUS voice and utterly brilliant coloratura.
Was lucky enough to see this delightful production again at the Royal Opera House last night with Mackerras conducting gloriously.
It is pure delight from start to finish , my only quibble the cast milling around during the Count's Act 3 aria but otherwise simply superb up there with the 1994 Glyndebourne production. Pappano conducts with a very sure touch and Finaly and Persson are particularly fine.
>>More Details
Was lucky enough to see this delightful production again at the Royal Opera House last night with Mackerras conducting gloriously.
It is pure delight from start to finish , my only quibble the cast milling around during the Count's Act 3 aria but otherwise simply superb up there with the 1994 Glyndebourne production. Pappano conducts with a very sure touch and Finaly and Persson are particularly fine.
>>More Details
Bought this album post seeing the film Frida - another must. The soundtrack is as mesmerising as Frida herself. One can leave this album on replay and never tire of it. I wholly and heartedly recommend it.
>>More Details
I just had to give my opinion on this cd as I had ordered it on the recomendations of the other reviewers,
first of all if you are not a fan of david bedford then give this a miss as it sounds to me like it was cheaply put together, I know this was recorded in the 70's but there are better alternatives out there from that decade. robert powells voice as the narator gives it some credit but is drowned out too often by the music, I gave this cd a few plays just to see if it would grow on me but I have just taken it to the charity shop.
>>More Details