Let me start off by saying that Giselle is my favorite ballet; I love the story, the music and the dance.
This performance was recorded in 2006 at the Royal Opera House, Covent Gardens, London and stars Alina Cojocaru and Johan Kobberg in the principal roles.
This is probably the best danced and finest interpretation of this magnificent ballet I've ever seen. I initially saw this at a movie theater with about 200+ people; you could have heard a pin drop during many of the pas de deux between Cojocaru and Kobberg, they were that stirring to watch.
There was so much to like about this performance...let me elaborate,
My knowledge of classical music is not so advanced, but it is a breed of music you must learn to appreciate if you get what I mean. I am to keen to expand my knowledge of classical music, so buying this album is a great starting point. Classical music is a breed of music which existed long time ago and is really old fashioned, but a real pleasure to listen to. It is very much instrumental orientated. You can hear the piano, violin or the flute with their distinctive sounds in the background.
The Most Relaxing Classical Music in the World is an excellent album featuring and honouring the talents of all the major acts to embrace their names in classical music combined in four CDs. Remember The Four Seasons, Fantasia, Concerto For Two Mandolins ... Read More:
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My knowledge of classical music is not so advanced, but it is a breed of music you must learn to appreciate if you get what I mean. I am to keen to expand my knowledge of classical music, so buying this album is a great starting point. Classical music is a breed of music which existed long time ago and is really old fashioned, but a real pleasure to listen to. It is very much instrumental orientated. You can hear the piano, violin or the flute with their distinctive sounds in the background.
The Most Relaxing Classical Music in the World is an excellent album featuring and honouring the talents of all the major acts to embrace their names in classical music combined in four CDs. Remember The Four Seasons, Fantasia, Concerto For Two Mandolins ... Read More:
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Julian Bream is a hugely under-rated artist and deserves more recognition than J.Williams in my opinion. I listened to Williams playing the same piece with Barenboim, but was unimpressed by his mechanical precision ( often mistaken by listeners and critics alike for his artistic strength ) and lack of emotion and tonal delicacy. He can not match the subtlety and richness of tones Bream produce and the soulful singing quality of melodie line. This recording of Aranjuez Concerto is a good proof. J.E.Gardiner provise brilliant and deeply-felt support with the orhcestra.
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This disc may polarise opinion as everthing this pianist seems to do- I regret to say much of the antipathy seems to be the result of marketing hype and the way Grimaud's looks are used. Well...whatever, the fact is she is a wonderful pianist and an imaginative programmer. The only weak part of this disc is the concerto and that is principally because the piano is too prominent- which is an engineering rather than a musical issue. The other pieces are beautifully played. The Busoni version of the great Chaconne takes centre stage and rightly so.
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This disc may polarise opinion as everthing this pianist seems to do- I regret to say much of the antipathy seems to be the result of marketing hype and the way Grimaud's looks are used. Well...whatever, the fact is she is a wonderful pianist and an imaginative programmer. The only weak part of this disc is the concerto and that is principally because the piano is too prominent- which is an engineering rather than a musical issue. The other pieces are beautifully played. The Busoni version of the great Chaconne takes centre stage and rightly so.
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This recording is simply superb. What some of the reviews seem to forget is that this is a recording of the *music*, not the musical. And in this sense, to my mind at least, the performers' accents are irrelevant. What matters is the fact that this recording brings together a group of some of the most talented singers of the time, and boy does it show.
Einaudi seems to inspire great words of admiration from some listeners, whilst he causes me to reach for the off button. Words I would use are 'insipid', 'uninspired', 'repetitive', 'superficial' and 'boring'. Am I missing something...........
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I am constantly playing this in the car because I love it so much, other recordings are good but this is just a little bit different, in the Allegro movement of Spring if you listen to the bit before the whole violin and viola section thunders it's way to the tumultuous tweeting solo, you will notice that Nigel bow's 4 times in quick succession instead of the usual 2, the cadenza allows for this and Nigel exploited it with typical panache. It's good to see him back in the limelight once more with his new recording, now lives in Krakow with his Polish missus.
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Like most reviewers,I agree that this is no 'Blue Notebooks'. It does not share the same, almost intangible melancholia. Moreover, I find Robert Wyatt an uninvolving narrator, who does not share Tilda Swinton's feel for the language (in this case Japanese author Murakami). However, the same ensemble as 'Notebooks' again succeed in creating a resonant soundscape of alienation and yearning, esp. on the beautiful 'Flowers for Yulia'.
Yes, it's short. But like haiku, it is a distillation of elements, the critical deployment of only essential materials, that makes it work.
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