The murky world of folk purists is a place I would never dare to venture but as a fan of folk music, this is a perfect mix of a rockier roots-sound and folky laments and shanties.
In fact....that intro sounds a little too folky already,Lakeman has carved a career out of sterling tunes,traditional instruments and clever lyrics, with "Poor Mans Heaven" he has bettered his 2006 classic "Freedoms Fields".
The feel to this LP is heavier,more robust but the mandolins,violins and acoustic guitars still dominate,the upright bass and acoustic drums form a bedrock of cornish granite.
2008 has seen some great folk records and Lakeman has added an other to that list...!
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or in this case a cd by the reviews, quite often I read how brilliant a cd is only to be dissapointed when it arrives, BUT NOT THIS TIME,
I love it,
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is this any good, yes. would it be any good without damon albarns name on it? yes but surely wouldn't make the light of day on western charts. its a great opeara score and the good thing is even without having seen the show, its easy to imagine how track names complement the music.. worth buying, still undecided.
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Eliza Carthy, Karine Polwart, Luka Bloom (Christy Moore's brother Barry) - what's not to like? Anyone who has been in touch with the contemporary folk scene in recent years will find much to enjoy here. My own joy was finding a track by the wonderful Mary Gauthier - her "I Drink" was a festival highlight for me a few years ago. This CD is cheap enough for dedicated fans to give to friends who are convinced that folk is Fair Isle jumpers, beards and hands over ears.
This has to be the best value CD in my collection - not a duff track in the mix. There are several live versions as is common with albums of this type, but none that make you hastily skip a track. Buy it, you know it makes sense. If you want to do something "folky", it's cheaper than a pint ... Read More:
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I'm not from the US, my family hail from Kashmir and I was born in the UK, grew up listening to punk rock but WOW! The soundtrack literally drips with the era and place it hails from; every time I hear a snippet I swear I can feel the heat and smell the wheat - so amazing!
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Sadly someone obviously suggested to Robert Plant that this would be a good idea....recording a (mostly) countryesque album with Alison Krauss. They were wrong!! I have no problem with Plant (or anyone else for that matter) trying new things, but please..... this was a bad idea that should have stayed just that.... an idea!! Why on earth so many people feel the need to heap praise on this album is beyond me - it has no redeming qualities to my ears whatsoever - even if Robert Plant is involved.......come to think of it that old story of the Emporer's new clothes comes to mind!!
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This is as fine an introduction to the works of Leonard Cohen as could be imagined. The track list, selected by the man himself, covers almost every period of his recorded output (Cohen is not prolific in the way, say, Bob Dylan is, or Neil Young), but I do feel some truly great stuff has been overlooked, i.e. the hushed, but haunting version of 'Story Of Isaac' from 1973's LIVE SONGS, which is one of the most profound things that anyone has ever written, the great live recordings from FIELD COMMANDER COHEN: Tour Of 1979, which admittedly was not released until after THE ESSENTIAL LEONARD COHEN appeared. Of those songs, I feel the title track is as good and epic a song as any he's recorded, and the version from NEW SKIN FOR THE OLD CEREMONY would have sufficed over e.g 'Take ... Read More:
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Believe me, it's usually the other way round. Usually I have nothing but praise for the man and his show that introduce me to so many fantastic artists. But in the case of this album, seeing Martha Wainwright perform on that show before purchasing `I Know You're Married, but I've Got Feelings Too' has ruined me, because if I hadn't seen her perform live I would have been blissfully unaware that in the right form this collection of songs presents an absolutely incredible portrait of a uniquely charismatic singer/song-writer. But not when they're delivered with decidedly less passion on an over-produced album that is not a proper showcase for these beautifully written songs and the tortured/passionate voice that always performs to perfect spine-tingling effect in the right setting.
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This is a grudging four-star review (rounded up from three-and-a-half). I had come across Lakeman before in his local band Equation. I heard he had come up with a solo album based on local legends and my curiosity was aroused. This review addresses superficially the songs individually before looking at the album as a whole.
"John Lomax" is surprisingly good; making the chorus softer and quieter than the verses is very effective. "The Bold Knight" displays Lakeman's skilful handling of the violin. "Fight for Favour" is too sparse, whilst the title track displays marvellous energy in its violin cross-rhythms. The opening to "Farewell My Love" is a cringing parody of folk music. There is good drumwork in "Blood Upon Copper", but the song ends too soon. "Henry Clark" sounds like a preliminary ... Read More:
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