I kind of trusted on the reviews.Ok there are some great songs on it,the classic but also a lot of rubbish.A great number of songs (even some famous ones) sound like they were recorded with electronic music.
I'm going to look for a cd with maybe less songs but more quality.
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Spotted in a bookshop in Bakewell, Derbyshire. There wasn't a "2" was there? So I bought it. And it's hardly been off in the car since. I agree with other reviewers that not every song here is a gem, but the Lucas numbers do have something that stirs the sentiments. (You who said he wasn't a great songwriter, I present exhibit A - "Bring 'em Down" on Fairport 9). It's true though that it's the Denny tracks that really stir the soul. Her remarkable ability to interpret a song never disappoints on this disc.
With all the emotion in the vocals, and all the Telecaster Pyrotechnics of the genius Donahue, it's easy to ignore the superb foundation on which this edifice is built. British folk-rock music has provided some of the best rhythm ... Read More:
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This is a terrific CD, with its wild meld of celtic, pop, folk, and country strains. The Chieftains, accompanied by such music greats as Sting, Mick Jagger, Sinead O'Connor, The Rolling Stones, Marianne Faithfull, Tom Jones, Van Morrison, among others...who would have thought such an assemblage would result in such a cohesive recording of such wildly divergent music? Of particular note are Sting's mournful rendition of "Mo Ghile Mear" and Sinead O'Connor's stylization of "The Foggy Dew" and "He Moved Through The Fair". Mick Jagger also does justice to "A Long Black Veil". This CD is simply a great recording overall!
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Eliza is a huge talent- writing , playing and a voice like no other, but for me this CD seems to have lost the sound and emotion and subtlety that I love about much of her work.
Big sound, but unsatisfying , maybe less is more?
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"Liege and Lief" was Fairport's first album that was almost entirely inspired by traditional British music. The band had previously released 3 albums during a relatively short period of time, and the repertoire had been a mixture of pop, rock and American and British folk.
In May 1969 after the recording of the previous album "Unhafbricking" the band had a terrible road accident which took the lives of drummer Martin Lamble and Richard Thompson's girlfriend Jeannie.
Other band-members were injured in the crash and the group were close to splitting up, but with their wounds healing up they eventually decided to continue with new members Dave Swarbrick and Dave Mattacks.
To tell the truth there is very little I can add that hasn't already been said by those reviewers more knowledgeable and eloquent. Most here obviously feel the same way I do about this music Still there is something about "The Bairns" that creates a need to share my delight.
I discovered this album as part of my annual buying of the "Mercury Prize shortlist". Suffice to say all of the others have already faded away into the background and pall in comparison to this exquisite piece of work.
I remember the Guardian blabbing on about The Winterset when this was released but did the shameful "folk: I don't really do folk" thing and ignored it. My embarrassment at that earlier narrowness of vision is luckily smothered by my sheer joy of finally ... Read More:
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Kate Rusby has a lovely voice and the arrangements of this collection of songs are sensitive. What's not to like? Well there is one big flaw for me - the lyrics. It's partly that for a 21st century girl to be writing songs about maidens, knights and castles seems odd. This is not a complaint about people singing folk songs. Those songs were about their times but it's strange to hear a woman with her own website writing as if she were a medieval troubadour.
But it gets worse. One of the best songs on the album is John Barbury great vocal, lovely accompaniment. But the words get in the way. Here's an example. In one line a girl denies she looks ill because had "lain with a man". Then the next line explains she is "nine months gone" and John Barbury's the father. ... Read More:
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Worth the price of admission for Gaudete alone, this is a good solid folk album, you can picture the lead singer resting his chin on his hand as he nasally crafts each track. For someone new to Span, it is a grower, which is always a sign of quality in an album.
If I have one gripe, it's that several songs, and 'All Around My Hat' in particular, tend to go a bit 'Quo' when they get over-excited. This is of the time, and to a degree the Span signature, but I find it an unnecessary blot on an otherwise great CD.
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Not only does this give you a journey to Irish Isles through 40 years of one of the countries greatest bands but it features a wealth of International Artist with a love of music.
You'll get a real Irish flavour from the first track 'March of the King of Ladis', the pipes support Sinead O'Connor on the 2nd track and are followed by a very energetic version of 'I know my love' with the Corrs.
The thing about Irish music is that whenever it's played everybody joins in and has a great time and you will do the same listening to this. You'll be beating out the rythym especially to track 4 a right good Cotton Pickin Traditional tune.
Joini Mitchell allows you time to recover and contemplate about the Magdalene Sisters in 'The Magdalene Laundries' watch ... Read More:
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Listening to Sandy Denny's voice makes you realise how much the music industry short-changes us these days. Sublime and unaffected, young yet embedded with wisdom, it sweeps you away like none of today's wannabes ever will. 'Sandy' also benefits from first class arrangements, production and musicianship, with Richard Thompson and Dave Swarbrick adding valuable guitar and violin respectively. Sneaky Pete contributes some of his best pedal steel playing too, lending a country tinge to some of the tracks. By and large, this is folk at the edge of rock. 'It'll Take A Long Time' is an expansive, epic opening, while Denny's take on 'Tomorrow Is A Long Time' is one of the best Dylan covers you'll hear.
There are many breathtaking passages, such as the multi-tracked vocal on 'Quiet Joys ... Read More:
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