This recording is simply superb. What some of the reviews seem to forget is that this is a recording of the *music*, not the musical. And in this sense, to my mind at least, the performers' accents are irrelevant. What matters is the fact that this recording brings together a group of some of the most talented singers of the time, and boy does it show.
Norman del Mar was a much-loved and usually very effective conductor. He recorded very little, which is a pity, but his reputation was never front-rank whatever his qualities, and it's names that sell records of familiar repertoire. So it is very nice to have this excellent account of 'Enigma' backed by these spirited marches. The Variations are beautifully played and very well characterised with well-judged tempi and phrasing that is neat and/or lyrical as required. When I first heard the recording (on the radio years ago) I did not know who was conducting and immediately thought of some very big names. Well, del Mar wasn't one of those, but this is still one of the best versions in the catalogue.
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This marvellous suite is the very embodiment of the Henrik Ibsen's unparalelled work of fantasy. The music is more than an accompaniment to the play, it is essential to a successful performance, enabling both the actors and the audience alike to become completely absorbed by Ibsen's stunning world.
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I am not musically literate, i.e i dont know a crotchet from a quaver but i know what i like, is it an exagerration to say that if we had to show one example of the greatness and potential of human culture, to say some visiting aliens, would it be reasonable to play them these recordings?
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Verdi's Aida comes thrillingly to life in this splendid production from the Metropolitan Opera. Aprile Millo is in excellent voice in the title role and sings with great musicality throughout. Indeed this sense of musical values being the most important is reflected in the fine performances of the rest of this all star cast most notably Placido Domingo and Dolora Zajick as Radames and Amneris respectively. The production is old fashioned but attractive and the physical acting is rudimentary but the vocal acting gets prizes all round.
This was a favourite performance for me on video and is now excellently transferred onto DVD (sub titles optional). First rate.
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"It didn't fit any of the rules." Thus does Hans Sachs contemplate at his leisure the new song by Stolzing, which provides the autobiographical key to Wagner's great comic opera. This DVD features a performance of Otto Schenk's traditionalist 1993 production at the Met. The performance was filmed live in December 2001.
A beaming James Levine clearly enjoys himself in the orchestra pit as he commences the opening prelude, and that smile of joy is prevalent throughout the following 290 minutes. The glorious sound of his orchestra and the perfect phrasing are a joy to hear.
The cast are superb. James Morris as the hero Sachs is indescribably flawless; Thomas Allen is equally so as the prim and officious Beckmesser, and when both are on stage together, ... Read More:
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NO VERSION CAN COMPARE WITH KIROV. MY FAVOURITE IS MAKHALINA AND ZAKLINSKY. BOLSHOI A CLOSE SECOND THE ROYAL BALLET VERSION IS NOT ONE OF MY PREFERRED VERSIONS.EVEN THE 1966 KIROV VERSION IS BETTER THAN NURYEVS VERSION.
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