I can understand why fans of Davis' jazz fusion, jazz rock and electric stuff may find this bland since it was recorded before he decided to explore that newer territory (which I find weird and disappointing). It represents just one part of his journey from the Rhumboogie Orchestra in 1944, via bop and Gill Evans, to the synthesizer-enhanced(?) din he was making towards the end of his career. Only a few days after this session was recorded Coltrane cut "Giant Steps", which is a fair indication of the direction he was a taking.
However, for me and thousands of others this is a beautiful record, with all the musicians performing at their (then) peak. Even Coltrane makes a beautiful sound and they all swing mightily when that is ... Read More:
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I own several of MD's album - my personal favourite being Sketches of Spain. This album, which is rather dull, I made the mistake of buying on the basis of the track Rocker on a compilation. It's dificult to describe, but to me the sound is too undifferenciated to let the melodies and tune speak. It is an ambient album. Pleasant, but doesn't set the blood racing. Instead, buy in A Silent Way, Sketches... or Kind of Blue.....Or better yet by the Best of Blue Note Comp' - not a duff track on it
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I originally bought this album as a boxed set of three LP's, Kind of Blue, Porgy and Bess were the other two. It tends to be loathed by "true believers" largely, I think, because it was one of the most popular. Therefore: it was a sore trial to the sort of deaf elitists that you find at Jazz and Orchestral music events. (People who clap harder as the music gets worse.)
It does have it's faults, the over use of castanets, which is like adding atmosphere with ketchup. The gushing orchestration which pervades the collection like cheap perfume in dance-hall. Occasional shrieking trumpet - where MD definitely looses the thread.
It's still a great album and well worth a listen. It maybe the weakest of the three albums ... Read More:
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Antonio Carlos Jobim goes down with Lennon/McCartney, Gershwin, Amstrong as one of the most influential songwriter/stylists of the 20th century.
To judge the album on its own merits is one thing. Getz turns in small but perfectly formed solos. Astrid Gilberto's voice is ravishing, complementing husband Joao's voice with that incredibly restrained vulnerability that is the essence of Bossa. It is an album of incredible tenderness and instrospection. The studio atmosphere is very intimate with an almost homespun quality. For me its a five star album in its own right.
However, this album has a far larger significance, in the way that Sargeant Pepper did. It changed everything and set off ripples that are still reverberating ... Read More:
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Below is the review I recently posted on Amazon.com for the Dave Brubeck Take Five SACD. I really felt I should post the reveiw on Amazon.co.uk also, as there appear to be reviews which relate only to the CD release - same story with US Amazon. Surely there must be others out there that could stand up for this superb SACD album??!!
Although I'm not what I consider to be a great fan of jazz, I have enjoyed Dave Brubeck's music for quite some time. For the last two and a half years or so, I have bought almost only high resolution music (DVD-A or SACD), and was determined to buy this disc soon. For a short while, several years ago, I owned the standard CD version of this album - until I donated it to my father-in-law. For anyone reading this reveiw, ... Read More:
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This music album was made in 1963 and it's totally timeless and as fresh in 2008 as when it was first made. I'm 43 and my dad is 70. My 8 year old son and all of us can't get enough of this. Getz's Chega De Saudade (One note samba) is totally the best jazz funk ever and all the other melodies are totally gold as well. You can buy this for yourslef or as a gift for a friend and it's totally priceless - worth a 100 times it's weight in gold. Enjoy!!!!
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A lovely introduction to Chet. But often with "best of" albums there is a lot of good music all crammed onto 1 cd, but I'm not complaining. I'm happy to have it in my Chet collection.
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The great thing about Miles Davis was that his trumpet playing was so transcendent. He's probably the only jazz player whose albums frequently appear in top 100 rock lists. I fail to see how anyone could not take the lilting sentiments of 'Porgy & Bess' to heart no matter what your musical tastes.
The 'Buzzard Song' opens the album with a grooving bass line by Paul Chambers, cleverly imitated by a tuba that follows suit (how many albums have you heard with a grooving tuba?). Then the lyrical note changes of 'Bess, You Is My Woman', before one of the highlights of the album, 'Gone'. This is something of a departure from Gershwin's opera itself, but the backing players relish the opportunity for some pure jazz playing, topped off with Jones's ramshakle drum playing. ... Read More:
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Up until recently I used to have a time on a Monday afternoon where I had to sit down, concentrate and get on with some paper work. This was often my cd of choice. Instead of being in my office at work I was transported to a jazz bar in New York, relaxing and enjoying myself. That was my happy place, to help me get through the paper work. Soon people were asking me if they could borrow this cd because they also found it to be the musical version of someone stroking your head.
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This very moderately priced box of extremely interesting and diverse jazz performances doesn't get 5 stars from me only because it is not sufficiently equipped with the recording information...
Otherwise, it's a good buy indeed, with music mixing swing, cool, be-bop, hard-bop and other styles very freely, to suite the tastes of the more liberal jazz fans who love challenges.
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