I can understand why fans of Davis' jazz fusion, jazz rock and electric stuff may find this bland since it was recorded before he decided to explore that newer territory (which I find weird and disappointing). It represents just one part of his journey from the Rhumboogie Orchestra in 1944, via bop and Gill Evans, to the synthesizer-enhanced(?) din he was making towards the end of his career. Only a few days after this session was recorded Coltrane cut "Giant Steps", which is a fair indication of the direction he was a taking.
However, for me and thousands of others this is a beautiful record, with all the musicians performing at their (then) peak. Even Coltrane makes a beautiful sound and they all swing mightily when that is ... Read More:
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I can understand why fans of Davis' jazz fusion, jazz rock and electric stuff may find this bland since it was recorded before he decided to explore that newer territory (which I find weird and disappointing). It represents just one part of his journey from the Rhumboogie Orchestra in 1944, via bop and Gill Evans, to the synthesizer-enhanced(?) din he was making towards the end of his career. Only a few days after this session was recorded Coltrane cut "Giant Steps", which is a fair indication of the direction he was a taking.
However, for me and thousands of others this is a beautiful record, with all the musicians performing at their (then) peak. Even Coltrane makes a beautiful sound and they all swing mightily when that is ... Read More:
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This is my favourite Christmas CD, it has something for everyone! It's the perfect antidote for the tired old tunes that everyone plays at Christmas (if I hear "I wish it could be Christmas every day" one more time I won't be responsible for my actions), the highlights being "Zat you Santa Claus?" by Louis Armstrong and "Silent Night" by Dinah Washington.
Give it a go and you won't be disappointed, especially at this price!!
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Whilst I have no argument with the music on this album, it's all great stuff, if you are hoping to hear the great man introducing each track, then think again "he's NOT there" and this is a great disappointment. I had expected from the album description that it would contain those wonderful insights that Bob Dylan is so good at when introducing the tracks, that's why I can only give it three stars.
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Whilst I have no argument with the music on this album, it's all great stuff, if you are hoping to hear the great man introducing each track, then think again "he's NOT there" and this is a great disappointment. I had expected from the album description that it would contain those wonderful insights that Bob Dylan is so good at when introducing the tracks, that's why I can only give it three stars.
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I once had Bensons'Greatest Hits and listened to the album over and over again..Then I gave it to a man I loved, cause he loved him aswell.
That love is gone now, but my love for Mr.Benson is as srong as ever.
This cd holds all the songs I've once had,eccept one(Living inside your love)That's fair enough.
Beautiful,don't hesitate to buy it if you want a complete album!
Miranda
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Like the sea itself, Maiden Voyage is vast and epic- flirting with adventure and myth. It is Herbie Hancock's tour de force- what the wonderous Speak No Evil was to his Blue Note peer, Wayne Shorter- ie. representing the composer/pianist at his imaginitive peak. We can only imagine what kind of zone Freddie Hubbard, George Coleman, Ron Carter and Tony Williams must have been during the recording of this masterpiece- so wonderfully coherent yet brimming with subtle musical conflict. And Hancock's playing is simply majestic.
The opening track is stunningly simple- you might feel a little uninspired by the low-key opening, but then, all of a sudden, it all opens out beautifully during the trumpet solo. This short flourish embodies the enitre ... Read More:
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Perhaps the jazz conservatives (e.g. Stanley Crouch) would burn me at the stake for the title of this review and yes, the soul-stirring Kind of Blue is certainly the best modal record I've heard, but I much prefer this, since Coltrane and Adderley really leap out and play from the get-go. Dr. Jackle is absolutely manic to play, a Jackie McLean tune that this quintet seem to delight in playing rather fast. It's excellent hard-bop, and Miles plays an excellent solo which sticks to the middle register, a range which trumpeteers do not explore enough, though this can be only down to the influence of intervallic trumpeters like Dizzy. Listen out for the early duel between Adderley, and Coltrane. Listening to 'Two Bass Hit', it is an interesting contrast ... Read More:
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Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy."
This record is wonderfully focussed, Burrell's musical philosophy is stamped all over the music. The rhythm section ... Read More:
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This is the sort of Jazz you'll hear in (coffee) bars. More emphasis on the (drum) beat than, for instance, in Miles Davis 'Kind of Blue'. Excellent playing, original compositions. Title track is one of the all time classic, instantly recognisable jazz tracks. No freak rythms but big bouncy jazz. Classic album on par with the aforementioned. Better still, less 'cool' and less 'boring'(can one really say this?) than many of Miles late 50's and early 60's stuff. Recommended as an introduction or addition to the uniniated of jazz (like me). Can't be disappointing.
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