Depend who this is supposed to be essential do-the newcomer to the Urban blues which influenced the British blues bands or essential as the biggest songs are here.Big via other people not especially Muddy who I don't think troubled the pop charts.
Which is besides the point-the pop charts are only a mirror to public taste.
In the U K Muddy waters was represnted in the 50s by a solitary EP which retailed at the same price as Cliff Richard or Elvis so it died a death and was only there because Decca were licensing product from Chess having only just obttained the catalog.
Muddy Waters was also a very unlikely artist to aim his music at the charts for the simple reason that while he may have introduced Chuck Berry to Chess he ... Read More:
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This was one of my earliest Hooker purchases and remains one of my absolute favourites.
The track selection is very good - given the HUGE number of Hooker recordings, its often hard to find a compilation without 2 or 3 duds, but this CD is an exception (apart from Baby Lee, which I've never rated).
Throughout, you are treated to the great man's totally distinctive sound - his stark, plain but striking voice and guitar, all of it entirely unadorned and unembellished - just a great master growlin' and howlin' and pickin' the blues!
An excellent sample of JLH's work, and one that has remained a favourite despite the passing years and expanding blues collection. You won't be disappointed.
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Not a Rolling Stones album of course, but a fascinating source of information and exploration for anyone interested in finding out about the music that influenced the Greatest Rock 'n' Roll Band in the World (and should'nt that be Rhythm & Blues Band anyway?) when they were just a group of music mad teenagers scattered around various parts of North Kent, South London and Gloucestershire.
Rumour has it that Mick Jagger was carrying some of this very music with him when he first met Keith Richards on Platform 3 of Dartford Railway Station c.1962. Meanwhile down in Cheltenham, Brian 'Elmo' Jones was perfecting his Elmore James licks and working his way through the Muddy Waters songbook, including noting that Rolling Stone Blues ... Read More:
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This is another great compilation from the Beginners series, from Robert Johnson all the way to Charlie Musselwhite. This is a great start for your blues colection.
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Buddy Guy celebrates his new recording contract with Silvertone by setting out his stall from the very first track - the title which features some exceptionally fiery guitar playing and there's some lovely fluid guitar playing all over this album. As well as this facet Buddy Guy shows his softer - more "bluesier" side on "Five Long Years" and "Black Night" - the two longest tracks on the album. The album features a stellar cast of guitar greats - Eric Clapton, Jeff Beck and Mark Knopfler but Buddy Guy's guitar burns the brightest of them all. There's an odd cover here of "Mustang Sally" which is taken a tad slower than normal but works well. The last track - "Remembering Stevie" is in homage to the late great Stevie Ray Vaughan and is a beautiful ... Read More:
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A welcome budget price collection by one of the most charismatic and influential blues artists of all time. Many of Wolf's best known numbers are here, commencing with 'How Many More Years' from his first session in 1951 in Sam Phillips' Memphis studio, and continuing through the 1954 to 1965 period with Chess Records. The material is licensed from MCA, and therefore in excellent sound quality, with stereo mixes being used on some of the later dates. Just reading the titles reveals that most of the essential tracks are present, including the ones that were to feature strongly in the white blues boom of the 1960s: 'The Little Red Rooster', 'Spoonful', 'Killing Floor', and the inevitable 'Smokestack Lightnin''.
The music on this compilation is magnificent, I didn't give it 5 stars only because it lacks the listing of musicians on each track (some of which are true blues legends themselves).
In this period he recorded with Otis Spann, Willie Dixon, Muddy Waters and others, so it would be nice to have the correct info on that.
Otherwise, this is classical stuff; both vocally and instrumentally...
BTW, if my ears don't decieve me, the performer of "Like Wolf" (track 18) is Howlin' Wolf , although the authorship of the song is attributed to Williamson.
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This is truly a must-have for anyone interested in Muddy or the blues and why it took off in the way that it did. These awesome recordings give a great insight into what blues are and even seem strangley familiar after the years of listening to Clapton and the Rolling Stones, themselves having been influenced so strongly by Muddy. This is where it all really took off, with Muddy's slide playing ringing out so clearly above his emotion filled, thoughtful lyrics. Must-have!
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As I write this review I read an email which said Bo Diddley had passed away after a long illness.
With only 2 Top 40 entries in the U K Diddley sold less than Chuck Berry but was just as influential.
He's probably a household name by now and certainly was at the time of the Stones and Yardbirds.And not forgetting the Pretty Things whose name came from a Bo song.
Essential though to Bo Diddley achieving any sort of fame were whites-that is even before the Stones there was Buddy Holly.
His music remained in the same turf-there was no attempts to launch himself as a soul singer.
The music's always going to be there
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