I was going to mention Clapton's christening of the Les Paul, Marshall setup, but others have beaten me to it. I liken it's impact to what happened to harp playing when Little Walter and other's deciding to blow through the PA or an early guitar amp. They REDEFINED the sound of the instrument.
So all I'll add is the rhetorical question...can you imagine being a teenage Brit, having been reared on the sounds of the Beatles, Jerry and the Pacemakers, or even the Dave Clark Five, wandering into a London club because someone had recommended the Bluesbreakers, and hearing THIS STUFF? Probably as epiphanic as being a white guy in mid 50's Chicago and having the nerve to wander into the Dew Drop Inn and hearing Muddy, Wolf, or later, ... Read More:
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Don't be fooled Eric Clapton makes it look easy! This is a well thought through set, well rehearsed, well executed and leaves you wanting more! Great value for money as well!
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This is a wonderful album. It marked Clapton's sobriety following his heroin usage, and has a theme of redemption and rebirth running through it. Also, there's a strong taste of someone who has turned himself inside and out.
In places, this is passionate, elsewhere playful, and in many places you can hear a man asking himself what he has left. Fantastic stuff, strongly recommended.
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The first hit single in the U K by Ray Charles was Georgia on my mid in 1960 and this disc made No 24.Charles was on a new label by then and the Atlantic sides while issued here meant nothing until the Age of Merseybeat.
Hit the road Jack went top 5 and it was nothing but up from then with the Modern Sounds of Country & Western spawning a number of hit singles.
Ray's earlier work on Swingtime began apperaing on a label called Society.
This CD is a pretty comprehensive overview of the most essential recordings which include his Beatles covers and ends with his version of Imagine.
Theres never been any shortage of albums by Ray Charles and I think the first was What'd I say-which was probably too far away from general tastes at the time because America ... Read More:
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I heard Bad to the Bone on the radio whilst driving in USA and just had to buy some George Thorogood. Hearing the song again for the first time years reminded me of George's fantastic set during Live Aid in 1986. When I put it on in the car I just wondered how I had got by all these years without owning this masterpiece. It's a great mix of rock a blues, like ZZTop with attitude! Buy it, enjoy it and play it loud!
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I bought this album on the strength on the one song i heard on the radio " I Cant Make You Love Me" and was suprised to find so many other gems on this album. I really didnt know alot about Bonnie Raitt but i am glad that i do now, she has a really sweet voice and the songs are just beautifull they really seem to hit me where i am at in my life at this present moment.
Unlike the other reviewers I would say that if you want to have a collection that shows you can tell the difference between inspiration and the run-of-the mill then you should have this original release (at least on a major label) and if you must have the rest for purposes of comparison then it is best kept to one side. The rest does not demonstrate anything except the difference, and also that the basic blues can be pretty boring even when played by it's foremost artist. I bought this on vinyl in 1968 and can still remember how disappointed I was a year or so later when I got vol.2. There was a lot more of the same but without the intensity. Whoever compiled this first album did a very good job and got it right every time.
The reason is simply that there is no contrapuntal tension in ... Read More:
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A welcome budget price collection by one of the most charismatic and influential blues artists of all time. Many of Wolf's best known numbers are here, commencing with 'How Many More Years' from his first session in 1951 in Sam Phillips' Memphis studio, and continuing through the 1954 to 1965 period with Chess Records. The material is licensed from MCA, and therefore in excellent sound quality, with stereo mixes being used on some of the later dates. Just reading the titles reveals that most of the essential tracks are present, including the ones that were to feature strongly in the white blues boom of the 1960s: 'The Little Red Rooster', 'Spoonful', 'Killing Floor', and the inevitable 'Smokestack Lightnin''.
Wolf's songs were notable for their innovative lyrics, mostly composed by ... Read More:
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I have a few of Eric Clapton's albums plus a few he's recorded in other bands and 'Slowhand' typifies how frustrating he is. Rightly regarded as one of the greatest rock guitarists, he never seems to produce an album about which you can say, 'That's the one.' Instead, what you get are a handful of brilliant gems and an equal measure of forgettable, if competent, workouts.
The three heavyweight tracks appear at the front of the album. 'Cocaine' has never been one of my favourite songs, but he does deliver it with impressive force. 'Wonderful Tonight' worked its way into the public consciousness over many years and is the kind of tender song that's difficult to pull off without sounding watery. 'Lay Down Sally' deserves more recognition, in my opinion. The playing on this is one of his more ... Read More:
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If this was the best of Clapton then there would be none of his albums in my collection. No surprise to see Phil Collins was involved, this is Clapton sans fire, sans soul, sans almost everything. Despite his inconsistent output he has produced some magical albums from Mayall onwards, be picky there are much much better albums than this MOR, corporate moneygrabber.
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