The absence of everything spontaneous, beautiful and courageous in music. Cod poetry mired down by turgid dirgery with all the wit and sophistication of a rotten cat dropping.
Some posh boy warbles unconvincingly over U2's sub-Bsides and expects the world to be saved while I boak heartily into a straw boater.
Music for people with no love for music and no clue about life.
I was never a Verve fan as such, but I have had Urban Hymns since its release and it's is one of my favourites. Forth is good but by no means great. It starts off well, the first few songs are excellent, particularly Rather Be and Love is Noise, but then it loses its way until the brilliant Valium Skies. So I give it four stars, were it not for the rather poor middle, I'd have happily given five stars. This is only my opinion, this one looks like one of those CD's that is 'like marmite', if you know what I mean.
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I was very lucky to see the spectacle that is Monkey's Journey To The West when it was premiered in Manchester in 2007. It's simply stunning and the music is amazing. OK maybe not for those expecting a slightly chinese influenced "ParkLife" or "Dare" but it shows just what a talent Albarn is...and that's from someone with all Oasis' albums! Do yourself a favour - see the show if you can but definitely buy this for an amazing aural experience. Post Beijing games, this should fly!
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I've revisited this Album since my missus took an eager liking of the recent film translation of the musical Mamma Mia.
I've mentioned in my review of the soundtrack that I'm not a massive Abba fan, but there is something about the music that makes it incredibly likable. I'm not going to go through all the tracks on this double CD, but each song feels very independently crafted. No two sound the same.
There are no weak tracks here and the album is the perfect showcase for the pop phenomenon. Most cheesy pop songs over recent times have been basic stories of love, loss ...or lost love - but here there's a wide variation in subject matter. Most are to do with relationships, but they tend to tell a story rather than give a formulaic four ... Read More:
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Nineteen of ABBA's best songs are plenty, but you won't tire of them. It is amazing that four Swedes (Benny Andersson and Björn Ulvaeus as writers and Anni-Frid Lyngstad and Agnetha Fältskog as the main singers) could take such simple English cliches and turn them into pop music magic. Despite sometimes maddeningly simple lyrics, the song arrangements were unnervingly catchy and the multi-level layered compostions are fascinating. The keyboards and synthesizers were used in some of the more ingenious ways during the seventies to produce that unmistakeable ABBA sound. The energy and nearly anthemic enthusiasm eminating from each song marked them all as instant classics, no matter how jaded or synical the listener. It is doubtlful if you read the ... Read More:
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This is as fine an introduction to the works of Leonard Cohen as could be imagined. The track list, selected by the man himself, covers almost every period of his recorded output (Cohen is not prolific in the way, say, Bob Dylan is, or Neil Young), but I do feel some truly great stuff has been overlooked, i.e. the hushed, but haunting version of 'Story Of Isaac' from 1973's LIVE SONGS, which is one of the most profound things that anyone has ever written, the great live recordings from FIELD COMMANDER COHEN: Tour Of 1979, which admittedly was not released until after THE ESSENTIAL LEONARD COHEN appeared. Of those songs, I feel the title track is as good and epic a song as any he's recorded, and the version from NEW SKIN FOR THE OLD CEREMONY would have sufficed over e.g ... Read More:
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Sadly someone obviously suggested to Robert Plant that this would be a good idea....recording a (mostly) countryesque album with Alison Krauss. They were wrong!! I have no problem with Plant (or anyone else for that matter) trying new things, but please..... this was a bad idea that should have stayed just that.... an idea!! Why on earth so many people feel the need to heap praise on this album is beyond me - it has no redeming qualities to my ears whatsoever - even if Robert Plant is involved.......come to think of it that old story of the Emporer's new clothes comes to mind!!
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Was wondering what to buy recently when I saw a review of this album and an interview with the singer in a sunday magazine.Turns out that this is a brilliant album,and has traces of blues,gospel,pop,country,and a touch of the brilliant Karen Carpenter about it.
Stand-out tracks for me include the intense deep gospel of Nobody's Fault But Mine and One Cloud,and the lighter yet still uplifting pop of So Sublime and i Shall Be Released.
A varied collection then in some ways,yet with a pleasing undercurrent of blues running throughout the whole album to string it all together and give it a sense of identity.
Really uplifting and at times extremely powerful! For once the hype may be justified!
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To me this set of eleven songs seems like This Is The Life - a deserving worldwide hit, with six million YouTube views at the time of writing - and ten charming variations. Collectively, they just about pull their weight, and occasionally get close to genius (e.g. 'Poison Prince', in my humble opinion). I very much hope we will see one or two more big ideas in the second album.
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