I was going to mention Clapton's christening of the Les Paul, Marshall setup, but others have beaten me to it. I liken it's impact to what happened to harp playing when Little Walter and other's deciding to blow through the PA or an early guitar amp. They REDEFINED the sound of the instrument.
So all I'll add is the rhetorical question...can you imagine being a teenage Brit, having been reared on the sounds of the Beatles, Jerry and the Pacemakers, or even the Dave Clark Five, wandering into a London club because someone had recommended the Bluesbreakers, and hearing THIS STUFF? Probably as epiphanic as being a white guy in mid 50's Chicago and having the nerve to wander into the Dew Drop Inn and hearing Muddy, Wolf, or later, ... Read More:
>>More Details
As I've posted some complaints on Amazon about incompleteness of compilations (missing an artist's best-known track, apparently just to hack people off), I'd like to go the other way on this one.
Obviously this compilation is not "complete". That would require not two CDs but, er, an awful lot of CDs. It is a very fair cross-section of Mr C's career from Cream onwards, charting his emergence as a solo artist, the relative blandness of the early 80s, and his return to form from the late 80s onwards.
To be more comprehensive, it should include the early era as well, i.e. Yardbirds and Mayall. This doesn't bother me, but the blues fans might object. The Cream tracks are a mite superfluous; if you want Cream material, you probably want at least ... Read More:
>>More Details
As I listen to this I'm driving to the Brecon Jazz festival. Here the jazz can range from heavy to funky but one pub there plays rock and blues all weekend in the face of all that jazz. This album make me feel like I'm there already - foot tapping, hip sswinging, real funky rocking blues. Brilliant!
>>More Details
It would be easy to quibble about what extra tracks should have been added to the original 1975 compilation but not worth it because the Stones produced so much good stuff back in 60's that a quadruple album of hits would not be too much. This compilation is simply streets ahead of any other. If you are coming to the Stones for the first time, or quite like the Stones but are not a huge fan, or even if you are, THIS IS THE COMPILATION TO BUY. With a bit of luck one day we will see a decent compilation of the later years - the stuff on 40 Licks was very patchy.
>>More Details
I just want to add my voice to the crowd: Bonamassa is more than you expect. I have bought all his records now, and there is no disappointment, I am very very impressed with him: good voice, massive sound, an amazing knowledge of the classics of blues and rock, and a style of his own who can also perfectly emulate the great names when needed. He is fulfilling expectations coming from the hype around him. HE DESERVES IT. I have not been impressed as much with someone since Stevie Ray played Texas Flood in my ears many years ago. MUST HAVE FOR ALL BLUES FANS!! Not only this CD! ALL OF THEM !!!
>>More Details
I bought this album as a teenager in the 70's and never felt it was one of zeps greatest albums compared to Physical Graffiti and vol4 so unfortunately it was the last of the remasters that I bought. Having listened to it a couple of times it has quickly become one of my favourates. Its understated beauty really hit me and touched me particularly "tangerine" and the really beautiful "thats the way". Pity the packaging doesnt reflect the curiosity of the original LP cover. Buy it and enjoy!
>>More Details
Like the last reviewer, and many, many others, The Blues Brothers was a film I first watched when I was about 10 and it introduced me to a whole new world of music.
This soundtrack was the first record I ever owned and it is where I first heard a lot of artists that I may otherwise never of heard of, since I had only really listened to pop and ska before.
This is a great collection and younger people especially will find it it very educational. If you enjoy the soundtrack it would also be a good idea to look up some of the other artists featured in the film but not on the soundtrack, like Sam and Dave and John Lee Hooker.
A fun film and a fun soundtrack, try the other Blues Brothers recordings too, you won't regret it!
>>More Details
Where is 'Greeny'? I just can't believe it. The most stunning, emotional bluesy Peter Green song and it is not on this otherwise brilliant album. I now have to dig deeper and purchase the double CD version which is quite a bit more expensive just for this one track alone.
Why, oh why, oh why?
>>More Details
The definitive Hendirx cd, brilliantly produced it ranges from low beat blues records such as 'voodoo chile' to upbeat rock records in 'crosstown traffic' to great covers in the form of 'all along the watchtower'.
The 'wah-wah' effect on 'voodoo child slight return' is ledgendary and will be remembered until the end of man.
The guitar playing on '1983...(A Merman I Should Turn To Be)' is brilliant and really suits the pysecdelic theme of the song.
>>More Details
I am no stranger to reviewing material by John Mayer and I know that sometimes I can come over as evangelical in my praise, but how else can you describe such an immense talent?
The SRV analogies are bound to resonate through other reviews, and I'm sure the talented Mr M would not baulk at the comparison. However, when a 'white man plays the blues', these analogies are all too easy to use and this takes away from the originality of John Mayer's skills as a songwriter. 'Stop This Train' is the most powerful song with the most simple delivery that I have heard, and is a song which, in its live format, I often find I'm too sensitive to listen to. I am fortunate to have seen him live on two occasions, but have only seen him perform this song on the first. I almost didn't want him to do it - it ... Read More:
>>More Details