Simply a marvellous performance and recording of Tchaikovsky's (slightly neglected) Manfred Symphony. The R.L.P.O play marvellously, with particularly characterful woodwinds, and Petrenko delivers a performance that has all the excitement of a live performance. The great melody in the strings in the final movement is delivered with a terrific sweep; this is a truly committed performance, and is very well recorded (much better than most record companies get in Liverpool's Philharmonic Hall).
At this price it's an absolute bargain. Tchaikovsky lovers don't hesitate!
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It's one of those albums that takes it's time to really soak in like OK Computer, then it's stuck in the CD player for months. So intricate that it's got something new each time you listen.
The Debut album is a cracker in places, but Sky 2 shows their confidence to play to their strengths as a band.
Toccata gets old on repeated plays but 'Watching the Aeroplanes' is an awesome piece in 4 parts.
Having seen a pro-am production of this show I can say that it is fantastic.I have seen it three times,and at each performance there has been a standing ovation. The musical numbers are wonderful. Take a listen and judge for yourself.
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Whilst all the reviews are 5 star for this cd, I think it is worth noting a couple of points that may be helpful for anyone not particularly well aquainted with RVW. For my money the version of the Tallis Fantasia on this disc is the best I have heard from the many available. You really get the sense of awsome grandeur and spirituality that I think were intended. Many versions, by really great conductors/orchestras somehow fall short. For that reason alone this is an essential purchase. However, as an added bonus you also get one of my favourite RVW pieces, the very beautiful and moving Dives and Lazarus, which must be one of the most lovely melodies in English music.
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The tracks on this cd are excellent and well worth the money. I get worried about the packaging of this sort of disc though because it reminds me of Tesco's attempt to sell wine to the masses by renaming a mediocre chablis as 'Good with meat' or whatever. If this was called 'Fine Opera' or 'An Opera Sampler' then I'd be a lot happier but the dumb approach of 'The Only Opera Album You'll Ever Need' makes me cringe. Once again though: the music is very good and the performances are excellent on the whole.
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The Three Tenors are on top form here with all their usual pomp. Cantique de Noel as the opening carol is perfect. Few carols are as reverently uplifting and this sets the tone perfectly. The CD provides a lovely contrast to the more well known popular Christmas song collections and adds a sparkle to the decorations when listening.
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This album has brought me hours of pleasure. It is beautifully sung by Kiri te Kanawa, her floating legato voice simply soaring and caressing the notes, and it is such relaxing music, it will dispel all your tiredness and tension.
Not only are there lovely floating songs, but also cheeky little 'stories' that are told in song as well, and the whole album is brilliantly complied and structured.
This album has brought me hours of pleasure. It is beautifully sung by Kiri te Kanawa, her floating legato voice simply soaring and caressing the notes, and it is such relaxing music, it will dispel all your tiredness and tension.
Not only are there lovely floating songs, but also cheeky little 'stories' that are told in song as well, and the whole album is brilliantly complied and structured.
This is one of those recordings which transforms a work. I had struggled for years to like the Sonatas and Partitas, but a succession of recordings by great violinists had left me feeling thoroughly excluded by them. When I heard Rachel Podger, I suddenly saw the utter delight and involving beauty in the pieces. She loses absolutely none of their intellectual weight, but makes them dance, glow and sparkle. In the great Chaconne from the D minor Partita, for example, I had always previously reached the end feeling rather wrung out and exhausted with the effort of trying to penetrate a difficult and forbidding piece. With Podger’s recording I find myself engaged, carried along and very sorry when the final, breath-holding not dies away.