I feel compelled to write this review as I think it is slightly unfair to give a one-star review based on his constant humming.
I think the first thing to say is that the Goldberg Variations is a fantastic piece of music, and is pretty much infallable as far as music goes. Goulds playing achives a great depth and variety of tone, whilst maintaining a strong sence of clarity that lets all of Bach's lines sing through, I think Gould has achieved something mind-blowing here!
Whilst at first one could find the performance marred by his constant humming, and it is prevelant, especially when listening on headphones, it is worth listening past. I think it provides a unique insight into how he is shaping the music that we don't ... Read More:
>>More Details
Living in Oman/ Arabia, working in Abu Dhabi & Dubai/ U.A. Emirates and travelling for business reasons all over the Gulf region and the Middle East I like to discuss with my Arabian friends and customers about the world most famous opera singers and most popular popmusic singers of both cultures - the Western (European & North American) and the Oriental culture.
We enjoy to listen to the best opera singers in Europe and in the Middle East. I was astonished to find CDs with music of Carreras, Domingo and Pavarotti in the homes of my Arabian friends - no wonder, many of them studied in their youth in the U.S. or in U.K.! My friends in Arabia deeply admire and truly appreciate CARRERAS, DOMINGO and PAVAROTTI !
If you have never listened to minimalist music this should be your point of departure. I have played this CD to the unsuspecting, as background music, and in the process won over the even the most ardent sceptics.
>>More Details
This album is made up of very good quality, and powerful, music. I cannot fault the performances, or the production for that matter.
The problem occurs, that if like me, your cd player is not remote controlled, then throughout the entire album you will be up and down up and down of your seat to ajust the volume (even during the same song, never mind for each one individually).
The above ^ will apply to all of you, unless you have no neighbours whatsoever within a mile or so of you and volume is no consideration.
I have never ever, in 30 years, known a music album with such a massive variance of volume level. Ever ! And that unfortunately, ruins the experience.
Well I would have to disagree with the previous reviewers. Of course, it's all a matter of personal taste, but I was quite disappointed (having read the first review before I purchased) with this recording. I thought the pace a little slow -- ponderous, even -- at times, especially the "Te decet hymnus" passage. And the soloists, who look so promising on paper, failed to deliver, to my mind. The singers are supposed to serve the music, not the other way around. Having said that, Gheorghiu does hit some beautiful notes. I'm afraid that Daniela Barcellona's voice has a tinny quality, and Roberto Alagna may have been having an off day. Picky of me? Probably, but I expect more of such a line-up.
The orchestra and the chorus, on the other hand, get a big thumbs-up from ... Read More:
>>More Details
I bought this album after a search as basically I could not get the theme music out of my head after 40 plus years.
The haunting themes remain one of the great TV programme soundtracks. They were never obtrusive but added to the atmosphere to a stupendous series.
Much recommended to all 40 somethings and makes this reviewer wish for the simpler life and entertainment we had in those halcyon days of the 60's and 70's
>>More Details
As someone who has loved all Max Richter's recordings, from 'Memoryhouse' onwards, I know how beautiful and resonant his work can be. This is no exception, though many pieces leave you regretting their lack of brevity. My quibble, however, shallow as it may seem, is that the running time gets shorter with each album, '24' being half the length of 'Memoryhouse'. Size isn't everything but maybe some of the pieces could have been more expansive. Lovely, nonetheless.
>>More Details
As someone who has loved all Max Richter's recordings, from 'Memoryhouse' onwards, I know how beautiful and resonant his work can be. This is no exception, though many pieces leave you regretting their lack of brevity. My quibble, however, shallow as it may seem, is that the running time gets shorter with each album, '24' being half the length of 'Memoryhouse'. Size isn't everything but maybe some of the pieces could have been more expansive. Lovely, nonetheless.
>>More Details
Where to start? It seems sensible to review both the work itself and this performance of it here, although the score I have given it relates only to the performance.
The work itself is a masterpiece. As you probably know, Mozart left this unfinished when he died, and it was completed by Franz Sussmayr, supposedly to Mozart's plan. However, the work certainly flows as a whole, and all of the individual sections work well. The highlights of the piece are, unsurprisingly for Mozart, the cannons and fugal passages, perhaps most notably in the Domine Jesu and Kyrie. Mozart was a master of weaving lines together to create complex polyphony which is simultaneously exciting, melodic and jaw-dropping. His greatest skill was to create melodies which are seemingly awkward and yet sound fantastic, again ... Read More:
>>More Details
This recording is simply superb. What some of the reviews seem to forget is that this is a recording of the *music*, not the musical. And in this sense, to my mind at least, the performers' accents are irrelevant. What matters is the fact that this recording brings together a group of some of the most talented singers of the time, and boy does it show.