I originally bought this album as a boxed set of three LP's, Kind of Blue, Porgy and Bess were the other two. It tends to be loathed by "true believers" largely, I think, because it was one of the most popular. Therefore: it was a sore trial to the sort of deaf elitists that you find at Jazz and Orchestral music events. (People who clap harder as the music gets worse.)
It does have it's faults, the over use of castanets, which is like adding atmosphere with ketchup. The gushing orchestration which pervades the collection like cheap perfume in dance-hall. Occasional shrieking trumpet - where MD definitely looses the thread.
It's still a great album and well worth a listen. It maybe the weakest of the three albums ... Read More:
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Rock Swings is the first of two albums by Paul Anka. The man who famously penned "My Way" covers some contempory songs "his way" in a swing/big band manner. If your a lover of differing cover versions of songs you love, then is is one for the eclectic collection. Do check out the second album Classic Songs: My Way and enjoy.
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Apparently recorded in late 2006 but not released until now, Mercury-nominated Polar Bear's third album is also their longest, and sees them making increasing use of electronics to add texture to their music. Songs like Goodbye dissolve from the kind of tuneful, genre-hopping upbeat cool jazz we recognise as Polar Bear's signature sound into a cloud of low-key electronic droning before transforming seamlessly into the following track, while Voices is out-and-out ambient jazz, and good with it. All the while Polar Bear weave through bop, fusion, free and any other kind of jazz they fancy with scant regard for conservative classicism, proving themselves yet again to be about the best band in the world in any musical field. Awesome.
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Apparently recorded in late 2006 but not released until now, Mercury-nominated Polar Bear's third album is also their longest, and sees them making increasing use of electronics to add texture to their music. Songs like Goodbye dissolve from the kind of tuneful, genre-hopping upbeat cool jazz we recognise as Polar Bear's signature sound into a cloud of low-key electronic droning before transforming seamlessly into the following track, while Voices is out-and-out ambient jazz, and good with it. All the while Polar Bear weave through bop, fusion, free and any other kind of jazz they fancy with scant regard for conservative classicism, proving themselves yet again to be about the best band in the world in any musical field. Awesome.
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I agree with most of the reviewers comments - dark, smokey, jass/fusion etc. etc. I would suggest that anyone who enjoys works from early Soft Machine (first to fifth), Ian Carr's Nucleus, Isotope to Angelo Badalamenti's Fire Walk With Me should give this album a listen.
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This is an unusual album... it's jazz, but not as you know it. I can even hear hints of Tori Amos on 'Well' and Radiohead on 'Dinosaur Die'. The musicianship of these three is just stunning and what really strikes me so much about the album is the production, it's so beautifully engineered, so flawless, it's a treat every time it's played. All the tracks are good, some more beautiful than others, with great, soaring musical landscapes that Cowley manages to conjure up on the piano. Really great drumming and double bass too. Highly recommended.
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This is a distillation of an earlier 3-CD set from Avid, about which I wrote a rave review at the time. It's a fascinating compilation, which makes up a chronological journey through Al's recording career. If you were lucky enough to buy the earlier set then there's nothing here that wasn't issued earlier, but if you missed out then grab this now. It's the ideal introduction to the supreme singer, and excellent value for money.
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If your coming to this album with The Walker Brothers Or Scott's early solo music ringing in your ears, forget them! This is the other side of the coin. Tilt is experimental and very very avant garde. Its also quite chilling. Sit in darkness on your own listening to this album and I deify you not to be half scared to death!
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This album does take some getting used to. And you do have to take some space from it and go back again with fresh ears before you are able to sort out what's new. The Meeting of the Minds - The Making of Floating Point [2008] DVD, which is awesome, helped clinch the album for me. The first thing you have to deal with is the overwhelming drums and percussion throughout. At first you can't help but think that this is some kind of mistake in the mixing, but persist and you can get used to it. It's a deliberate decision that ensures that the whole album operates at a very high energy level. John's albums have always been about joy and ecstasy and seldom on the mellow side of those values. The album is meant to be rhythmically overwhelming, from start ... Read More:
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This album does take some getting used to. And you do have to take some space from it and go back again with fresh ears before you are able to sort out what's new. The Meeting of the Minds - The Making of Floating Point [2008] DVD, which is awesome, helped clinch the album for me. The first thing you have to deal with is the overwhelming drums and percussion throughout. At first you can't help but think that this is some kind of mistake in the mixing, but persist and you can get used to it. It's a deliberate decision that ensures that the whole album operates at a very high energy level. John's albums have always been about joy and ecstasy and seldom on the mellow side of those values. The album is meant to be rhythmically overwhelming, from start ... Read More:
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