I've been listening to Jackson Browne since the sixties (yes, I'm really old), and first encountered him with blonde chanteuse Nico. Since then, I've seen him in concert many times, and enjoyed his music constantly, so you could say I'm an admirer. I still like to think I have critical faculties, and I was a bit concerned when I read early reviews of this album. However, now having bought it and played it a few times, I needn't have worried. No-one can capture the mood of a time like Jackson Browne. He has a conscience, a soaring voice, and even with sparse arrangements, a rare power in his song writing. I hope we don't have to wait another six years for his next studio album. This is just great.
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I bought this album on the strength of Dream Catch Me, something I don't usually do without hearing more, but a decision I certainly don't regret in this case.
Vocally, he has hints of Jack Johnson and Adam Levine, and delivers each song with soul, energy and enthusiasm. There are no bad, weak or filler tracks on this album, which sounds polished but still raw.
Despite the similarities I mentioned earlier, Faulkner still sounds totally unique and has a lot of talent. I enjoy this album, which manages to relax me when I need relaxation, as well as stimulate me when I need an energy boost.
One of the best debut albums in recent years.
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If you are a massive fan of their old sound, of the Nu metal, then you should definitely avoid this album. If you are a music fan with an open mind then you should definitely purchase this. The sound that they have created is incredibly different. I really don't know why they changed that much. Once I like a band's sound I really don't like it when they try and reinvent themselves to change that, and that's exactly what Linkin Park have done here. I bought Meteora as my first Linkin Park album back in 2003 and I instantly loved it. The sound of the music was so unique, and to a 13 year old, pretty surprising as well. Meteora was the band's pinnacle and it is such a fantastic album. Then, after a couple of years of no activity from the band, I was ... Read More:
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After the undoubted return to form that was Don't Believe The Truth, Oasis have taken a step backwards here. What made DBTT such a good record was that Noel had rediscovered his ability to make catchy pop songs and was rewarded with a couple of number one hits. The problem here is that, quite simply, there aren't any good tunes. Whereas Oasis are often criticised for being too derivative - and with good reason in some instances: Shakermaker/Coca-Cola song - here they are actually resorting to ripping off their own back catalogue. Shock Of The Lightning sounds like Rock 'N' Roll Star; I'm Outta Time is just Little James with better lyrics (and a frankly awful video). The terrible, whining singing on Get Off Your High Horse is awkward to listen to. The cringeworthy, brainwashed, ... Read More:
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One of the most overrated albums ever. Why G n R were ever feted beats me. They were nothing special, just one of a long line of dire hair metal acts from Sunset Strip. G n R only differed in that they tended to rip off Aerosmith rather than Van Halen. Slash is a competent enough guitar player but he's added nothing to the canon of axemanship but Axl Rose has a voice that strips paint. Even if you allow for the hits as being half OK the other tracks are dismal, plodding sub Stones riffage.
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i dont think the content overall needs to be reviewed, its all classic abba and can all be found elsewhere EXCEPT for I AM THE CITY, this track is still ,as far as i know, not available anywhere else except on this album,(im not counting the COMPLETE STUDIO RECORDINGS box set,the purchase of which may necessitate a small mortgage) and i cant believe no other review has mentioned this. If you@re a fan , its the main reason to buy this album,and if your collecting all abba's recordings,it makes this essential. oh, and if you havent heard it the track is great, not one of their moving and meaningful ones but its fun,hypnotic and sparkly,;incredible arrangement and production, -i know thats kind of a given for abba- but - much more so than, for example something like YOU OWE ME ONE or even UNDER ATTACK. This ... Read More:
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I bought this album on the strength of the song You've Got A Friend, having thought there must be more to his brilliance than just this one song. I wasn't wrong. When I heard this album, there were many songs I already knew...I just did not know, for some reason, that James Taylor was behind them.
Overall, this has been a brilliant re-introduction and introduction to the best of James Taylor's music. It's very easy to listen to and to relax to, despite being moving and having lyrics which make you think.
My personal favourite tracks are: Fire And Rain, You've Got A Friend, Handyman, Shower The People, although most people know Carolina In My Mind and Something In The Way She Moves. There are no bad, weak or unworthy tracks on this compilation, and there is even a brand new track ... Read More:
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As I've posted some complaints on Amazon about incompleteness of compilations (missing an artist's best-known track, apparently just to hack people off), I'd like to go the other way on this one.
Obviously this compilation is not "complete". That would require not two CDs but, er, an awful lot of CDs. It is a very fair cross-section of Mr C's career from Cream onwards, charting his emergence as a solo artist, the relative blandness of the early 80s, and his return to form from the late 80s onwards.
To be more comprehensive, it should include the early era as well, i.e. Yardbirds and Mayall. This doesn't bother me, but the blues fans might object. The Cream tracks are a mite superfluous; if you want Cream material, you probably want at least a whole compilation album, not just five tracks. ... Read More:
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Recently went to the NEC (awful venue) to see Joe Bonamassa (recommended). Imelda was the support and she was absolutley brilliant -what a superb voice. I wasn't into her style of rockabilly/skiffle/blues at all, but her voice made the long wait for JB totally tolerable.
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I was going to mention Clapton's christening of the Les Paul, Marshall setup, but others have beaten me to it. I liken it's impact to what happened to harp playing when Little Walter and other's deciding to blow through the PA or an early guitar amp. They REDEFINED the sound of the instrument.
So all I'll add is the rhetorical question...can you imagine being a teenage Brit, having been reared on the sounds of the Beatles, Jerry and the Pacemakers, or even the Dave Clark Five, wandering into a London club because someone had recommended the Bluesbreakers, and hearing THIS STUFF? Probably as epiphanic as being a white guy in mid 50's Chicago and having the nerve to wander into the Dew Drop Inn and hearing Muddy, Wolf, or later, Otis Rush and Buddy Guy. Simply put, a life changing experience.
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