My first Buddy Rich album was "Mercy, Mercy" and it got me hooked on the fabulous sound of the band. When I brough this album I was just shocked by just how good the band is! I never realised a band could be this good. There is times when the band is blowing your brains out across the back wall then seconds later it's down to nothing more than a whisper. This album has one of the best examples of that in the tune "Willowcrest". It builds up after another fabulous solo section into the biggest swing you've ever heard. It's swingin' like a dolce of salts on speed, then it just drops. Fabulous arranging! Half the style comes from the band itself but the rest comes from the arrangements it picks and Rich has nack of picking the best arrangers! The ... Read More:
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Distinctive to the point of being instantly recognisable, that's Errol Garner, and here he is, caught in full flight at the very peak of his powers, and 'live' too. There have been many concert recordings succesfully transferred to disc, making one realise that it would have been a memorable treat to have been in the audience, and what we have here is no exception. Erroll was a natural, and supposedly couldn't read a note of music. When you can play like this, you dont need to. Anyone who wants just one of Erroll's recordings wont do better than this. Anyone alive out there, who was in the audience the night this was reccorded??
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Over the years many superb jazz artists have devoted a whole album to the work of Duke Ellington - Louis Armstrong, Dr. John and Chris Barber spring most readily to mind. Those are all good efforts (especially Louis meets Duke, the Great Summit) but there is one that stands head and shoulders above them all, this supreme effort from the First Lady of Jazz herself, the wonderful Ella Fitzgerald.
This album stands out for several reasons. The breadth of styles embraced, from classinc up-tempo swing to slow melancholy blues, big band to small intimate quartet. Who else but Ella could do justice to all of these numbers? The sheer number of tracks included - most artists pick out 10 or 12 favourites, here we are presented with 40 tracks! And the ... Read More:
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Curious as to what the fuss was all about I ordered this cd. And I must confess that all three colleague-reviewers are correct in their assesment of this cd (with which I do not mean to say that I necessarily agree with their judgement). True, there is a lot more 78's surface noise than on most Vocalion or Past Perfect reissues. No, to me that isn't much of a problem, because quite honestly the "enhancement" often changes the aural picture of the original recording, not always for the better.
It is however also true that a little more care in the preparation would have prevented the irritating late start of two tracks ("Easy Come, Easy Go", where the first bar of the introductory guitar is all but missed and "Love you funny thing"); furthermore, the sound ... Read More:
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Curious as to what the fuss was all about I ordered this cd. And I must confess that all three colleague-reviewers are correct in their assesment of this cd (with which I do not mean to say that I necessarily agree with their judgement). True, there is a lot more 78's surface noise than on most Vocalion or Past Perfect reissues. No, to me that isn't much of a problem, because quite honestly the "enhancement" often changes the aural picture of the original recording, not always for the better.
It is however also true that a little more care in the preparation would have prevented the irritating late start of two tracks ("Easy Come, Easy Go", where the first bar of the introductory guitar is all but missed and "Love you funny thing"); furthermore, the sound ... Read More:
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The music of the Porgy and Bess soundtrack virtually transports you back to the deep south. With "modern day lullabies" such as summertime this is a perfect album to sit back and relax to. Allowing the classic and original vocal tones of Ella Fitzgerald and Louis Armstrong to lull you away to a warm and romantic place.
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It isn't just the haunting quality of Billie Holiday's voice that captivates the listener, but the unique way she manoeuvred it between and around the written notes in a way that gave an added dimension to everything she sang, whilst respecting the songwriter's intentions. So it is here, in these late recordings, made less than eighteen months before her untimely death. It's short measure, but 45 minutes was fairly standard for an LP when these tracks were recorded, and what could you add that would not detract from what is here? Of course the voice is not the glorious instrument it once was, but to criticise these recordings for that decline is to miss the point. Here was a supreme artist, singing with a degree of poignancy it would be hard to surpass. It's part ... Read More:
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This new collection of Ellington's Thirties recordings is generous in that it offers 95 selections and meagre in that there is no discographical information at all (no recording dates, no personel, no matrix numbers). The liner notes give some information but leave one pining for more too. There the criticism ends.
Audio restoration by Dutchman Harry Coster (who is attached to the Dutch Jazz Archive and has an outstanding reputation for painstaking restoration of old material) is beyond reproach and the recordings never sounded so good before. And of course there is the music itself, which is formidable, both in musical content and in execution by that peerless group of proud individuals that constituted the Duke Ellington orchestra. These recordings show that Ellington, although ... Read More:
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this is a an amazeing collection by nat king cole this is the best best of collection but he has a few essential albums too like after midnight sessions and love is the thing there fab and of course his christmas album buy them all there fab!!
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this is a an amazeing collection by nat king cole this is the best best of collection but he has a few essential albums too like after midnight sessions and love is the thing there fab and of course his christmas album buy them all there fab!!
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