Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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Two guitarists, two fiddlers, a sublime female vocalist, and an ancient Welsh proto-violin, the crwth. The band create a sound which embraces strong, contempory songs, and courtly, elegant medieval tunes. Some tracks have a stark, ancient quality, assisted by the crwth which sounds, at times like an Indian tanpura. The album's masterpiece is 'Hwiangerdd Gwenllian', a sweet, sad lullaby for a 13th century baby princess, robbed of her inheritance, and denied the chance to know even who she is or who her father was (Llywelyn the Last King of Wales). The guitar accompaniment evokes the rocking of the cradle and the long flow of years: Ffion Haf's voice is simply spellbinding.
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