I was really looking forward to hearing the first Bellowhead album in its entirety. A great live band who had built up a cult following and brought on board critics such as Mr Folk, Mike Harding and the music critics from the 'serious' newspapers.
Bellowhead could be seen as an English Pogues. Quirky and left field. Offering their own unique interpretations of traditional songs through their all singing all dancing 11 piece instrumental line up.
Mixing everything from folk,to rag time,vaudeville,trad jazz and roots, the Bellowhead sound is certainly unique.
Unfortunately for me,their strength is in their live performances. Burlesque is quite a way off mark in that it lacks any outstanding tracks and loses so much in its over ... Read More:
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We are so lucky at the moment with bands like Calexico, Fleet Foxes, Lambchop and Willard Grant Conspiracy all releasing amazing alt. albums, but you can now add Giant Sand to that list as they are back with `proVISIONS' surely the best record of their career to date. With 13 songs it glides effortlessly along broadening the horizons of the genre with unusual panache and grace. For me the only criticism I have is that the first half of the album is slightly weaker than the second despite collaborations with Isobel Campbell, Neko and Papa M but that said it is still breathtaking if not a bit too traditional. Then comes the P J Harvey cover `Desperate kingdom of love' a track that couldn't fit a band better and from this point on the music ascends until the end ... Read More:
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I only discovered this band about a year ago and this album is without doubt my favourite of the moment (and I've been playing it for a year now!). Every song is excellent. Rock music you can sing along to!
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A banal, irritating record. The lyrics are full of cliches, and the music is unexceptional. Only "Natural Beauty" rises above the dross.
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Although I really enjoyed the music,I did find a lot of the tracks very fast to keep up with being a complete beginner.You either have to go ultra slow or extremely fast.I found there were only a few tracks that went at the right speed to comfortably practice as a novice.Will keep it for when I'm an expert!If anyone out ther knows of a CD with a more suitable for beginners,please let me know.
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Pop music isn't really a literary medium - only Morrissey at the moment really compares as a lyricist - but straight from their first album, the word-of-mouth success "Tigermilk", Belle and Sebastian's songs were more poetic vignettes than the your run of the mill pop that clogs up the charts and radio like so much musical cholesterol.
In Belle and Sebastian's second album, things are more refined - the musical pallete is more sparse, with none of the electronics that appeared on "Tigermilk" or the subsequent EPs. It's straightforward guitars (accoustic, of course, but also a smattering of jangling electric guitar, as in "Stars of Track and Field"), piano, and some understated orchestration (none of the rich arrangements that would colour their third album, "The ... Read More:
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It's a popular misconception that the Proclaimers are two brothers from Wales, but this is in fact untrue. There is only one Proclaimer and he met with poor records sales upon his first foray into musicality. His manager at the time suggested the performer repackage himself as a duo, probably with a twin brother, hey presto a folk phenomenon was born. At live performances mirrors are used to provide the illusion of there being two of them and on TV more technological methods are used.
I have to agree with the other reviews about value for money if you already have a best of by the Proclaimer(s) as the remixed version is a bit poor. All the other songs are present and correct and are as in your ears as always.
Maddy Prior's voice is still one of the most recognisable in the folk canon, along with Sandy Denny and Jacqui McShee, and these first three Steeleye Span albums showcase a wide variety of their best songs, particularly with Maddy accompanied by Ashley Hutchings, Martin Carthy, Peter Knight and Tim Hart on the second and third albums. These contain such classic songs as 'False Knight On The Road', 'Lovely On The Water' and 'When I Was On Horseback'. This early version of Steeleye had no drummer and the later line-up became more electric folk orientated when Rick Kemp and Bob Johnston joined and Martin Carthy left. Highly recommended.
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I have to admit that I am not a great Dylan fan. I adore Jimi Hendrix version of 'All Along the Watchtower' and Nina Simone's version of 'I Shall Be Released'. Yet when I listen to 'Desire' I can suddenly suspend my previous preconceptions and understand some of Dylan's appeal. Starting off with 'Hurricane', a superb indictement of judicial Racism, with lyrics which really hit their target. The rest of the album concerns some far more personal material, such as the last track 'Sara'concerning his wife whom he was on the point of divorcing, a beautifully direct love song, with sublime lyrics. The rest of the tracks seem to dwell on unfufilled love 'One More Cup of Cofee' or 'Mozambique' or to tales about various rough diamonds who seem to be bordering on outlaw existence, such as 'Joey' ... Read More:
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