Believe me, it's usually the other way round. Usually I have nothing but praise for the man and his show that introduce me to so many fantastic artists. But in the case of this album, seeing Martha Wainwright perform on that show before purchasing `I Know You're Married, but I've Got Feelings Too' has ruined me, because if I hadn't seen her perform live I would have been blissfully unaware that in the right form this collection of songs presents an absolutely incredible portrait of a uniquely charismatic singer/song-writer. But not when they're delivered with decidedly less passion on an over-produced album that is not a proper showcase for these beautifully written songs and the tortured/passionate voice that always performs to perfect spine ... Read More:
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I can't remember how I first heard of this, but I am so glad I did because the music they play just blows you away. It's uncategorisable. it's new. It's energetic use of the guitar as the percussion for their tracks is so unknown to most modern listeners, but so good to listen to. I never knew acoustic guitar could be so compelling! If you like any kind of guitar music, you must buy this. And something from Seasick Steve. Something fresh at last.
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This is a terrific CD, with its wild meld of celtic, pop, folk, and country strains. The Chieftains, accompanied by such music greats as Sting, Mick Jagger, Sinead O'Connor, The Rolling Stones, Marianne Faithfull, Tom Jones, Van Morrison, among others...who would have thought such an assemblage would result in such a cohesive recording of such wildly divergent music? Of particular note are Sting's mournful rendition of "Mo Ghile Mear" and Sinead O'Connor's stylization of "The Foggy Dew" and "He Moved Through The Fair". Mick Jagger also does justice to "A Long Black Veil". This CD is simply a great recording overall!
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I bought this album on the strength of the song You've Got A Friend, having thought there must be more to his brilliance than just this one song. I wasn't wrong. When I heard this album, there were many songs I already knew...I just did not know, for some reason, that James Taylor was behind them.
Overall, this has been a brilliant re-introduction and introduction to the best of James Taylor's music. It's very easy to listen to and to relax to, despite being moving and having lyrics which make you think.
My personal favourite tracks are: Fire And Rain, You've Got A Friend, Handyman, Shower The People, although most people know Carolina In My Mind and Something In The Way She Moves. There are no bad, weak or unworthy tracks on this compilation, ... Read More:
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Recently went to the NEC (awful venue) to see Joe Bonamassa (recommended). Imelda was the support and she was absolutley brilliant -what a superb voice. I wasn't into her style of rockabilly/skiffle/blues at all, but her voice made the long wait for JB totally tolerable.
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Emiliana hang your head in shame. I loved 'Love in the time..' for it's lovely ambient beats together with that beautiful voice. Wasn't expecting the folky turn of 'Fisherman's' but still great (especially live).
This latest offering is an example of someone with absolutely no idea as to what direction to take musically. I have no problem with taking different directions, but probably best not to take them all at the same time. This is a complete mess and a waste of - did I say already? a beautiful voice.
It would be churlish to criticize "Greatest Hits", as it's the classic compilation, and the best possible 40-odd minute introduction to the duo's work. On the face of it, everything's here. Plus this is an of-the-time release, one you or your parents probably owned way-back-when, and even the cover can bring on pangs of nostalgia. It's still a superb listen and, even if like me you own all the original albums, it's something that is always first to get in the player. Sometimes I don't even stop it before "Cecilia" -- and not just because I'm not quick enough having been lulled into a pleasurable stupor by the "Bookends" coda.
BUT this is what you must know. A number of these songs are NOT the original studio versions, they're live recordings. This album was not released to celebrate ... Read More:
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The title of this album "Bagrock to the masses" is certiantly appropriate. The Red Hot Chilli Pipers have brought piping from a niche market out to a much wider audience.
Even those who aren't keen on pipe music will enjoy this album.
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The beginnings of CSN are the stuff of rock legend, meetings at Joni's (or was it Cass Elliott's)house, Nash's seminal high third harmony and then Woodstock. This first record is full of arguably, some of the best music these three would ever make. The melody, structure and sound were highly original. In a time when guitars were getting louder and harsher, the mostly acoustic sound was an intersting departure. The songwriting is excellent throughout and although of it's time in theme and outlook, the content feels very pertinent to today's cynical and jaded mainstream world view. Three such strong characters were always going to agitate and annoy each other. But on this record there was as yet no signs of the fragmentation and drug fueled paranoia that would later tear the group apart.
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Dengue Fever are a group of eclectic LA hipsters fronted by a bona fide Cambodian pop star (Chhom Nimol), who make a heady brew informed by retro spy-movie soundtracks, psychedelia, lounge jazz and rock and roll. Apparently influenced by organist Ethan Holtzman's trips to Cambodia in 1997 when a unique local 60s-era rock was still prevalent, the band's sound is fleshed out with wide ranging influences from Ethiopian jazz, surf, and garage rock. Nimol's sings mostly in Khmer, giving it distinct Eastern melodies, while the sonic landscape is a mish-mash of retro stylings that would make it ideal for a Quentin Tarrantino or Jim Jarmusch soundtrack. In fact, if you like this you would do well to pick up the latter's Broken Flowers OST, which features the likeminded Holly Golightly and a selection of tracks from ... Read More:
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