Not particularly for Lethal Weapon fans but a lovely gentle unfolding of a gentle story. It begins in a damp depressing London and end up in beautiful Italy. People, as well as the scenery are transformed and the memorable performances of Polly Walker and Miranda Richardson make for a memorable cinamatic experience. Buy the movie, you'll want to watch it more than once (or twice!).
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After my young son watched this film twice in one day I decided to watch with him, at the third showing!. `Dennis` is so typical of all children at that age, and I could see what my son found so amusing as he would tend to do the same things given half the chance. Having a bad guy also helped to keep the story going. For us adults though, Walter Matthau proves to be a real comic genius. Think of `Home Alone` but without Macaulay Culkin, thank goodness!.
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Greenaway's films are always watchable for the cinematography, but in this one you can actually follow the story too. The plot is fairly simple but is padded out with descriptions of peculiar games that Madgett, the Suffolk coroner, and his strange son Smut invent to pass the time. Smut also celebrates any violent death (whether roadkill or drowned husbands) by painting a number at the scene and letting off fireworks. Yellow paint for Tuesdays, red paint for Saturdays (Tuesday is winning, being the best day for violent deaths). You can also try to count the ascending numbers from 1-100 that are placed in each scene. I only saw about half of them - some are well hidden.
With an excellent cast, and my favourite quote in all shakespeare..'the fool multitude who judge by show...' delivered by a superb actor and totally cut out of the pacino version, an unforgivable error, and a pasty vague version with very little memorable characters or scenes to boot, this version just flies above it in all regards, and worth buying a video recorder for alone.How dare pacino dumb down this masterpiece!
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beautiful movie, based on the theory taht dinosaurs lived even after teh meteorite struck the earth. the decision to combine real life landscape with computer animation fits erally well and i think add to the story
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I don't agree with Dr. Fritz Juengling's review but I resisted challenging him until he slipped his homophobia into his outburst of negativity. Okay, some of the accents were dodgy (I have a problem with Donald Sutherland's for sure), but the film is engaging and gritty. It is definitely worth watching.
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Semi-autobiographical tale from the early life of director Franco Zeffirelli looks at the illegitimate son of an Italian businessman. The boy's mother has died, and he is raised by an Englishwoman (Joan Plowright) in pre-WWII Fascist Italy. Living to each other in Florence, and presided over by an ambassador's widow (Maggie Smith), a group of Englishwomen live a sheltered existence which they believe is guaranteed personal protection in a tea reception given by Il Duce. However, as war breaks out, the women are interned. Occasionally in this English colony is a wealthy American (Cher), who visits among her travels and marriages to wealthy older men. She respects the "Scorpioni", as they are known, and secretly arranges for their stay in a hotel. When the ... Read More:
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I must confess that, as of writing this review, I have yet to see the animated Disney feature "101 Dalmatians". I really have to wonder, though, how Disney came to acquire the notion that making a live-action equivalent would be a good idea. But the result is certainly entertaining enough to stand for its own merits.
The story is the same as in the animated movie; that of fur-obsessed fashion guru Cruella DeVil stealing Dalmatian puppies from married couple Anita and Roger (Jolie Richardson and Jeff Daniels, the latter not even attempting to adopt an English accent), in order to make a coat out of them. If the law will not stop Cruella's plans in time, then the dogs will.
Elijah Wood caught the attention most of all. It was an amazing performance by such a young actor!At just nine years old! The film was very good quality and it was an excellent performance!
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Laurence Olivier stars as a sleazy, third-rate music hall performer in 1960's "The Entertainer", one of the first and best films of the so called Free Cinema movement, and a movie that is somewhat neglected today (it should be better known). Based on a play by John Osborne, Olivier plays Archie Rice, a mediocre performer in grim seaside town theaters. His shows attract few people (early in the film, we see passersby sneering at the theater marquee that falsely advertises Archie as a television comedian). His father, Billy, was once a talented and successful comedian, but now he is just a cranky old man living with him and Archie's wife, the unstable Phoebe. Archie has three grown children, played respectively by Alan Bates, Albert Finney and Joan Plowright, all very ... Read More:
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