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Best Selling > Photo > Filters and Adapters
page 19 of 250
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Nikon 35Mm F2 Af Nikkor D Lens Afrom: Nikon August 01, 2003 Best Selling > Photo > Filters and Adapters |
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35mm is a bit of an unusual lens for a 135 size SLR. 28mm is the 'standard' wide-angle lens, although many photographers have opted for the slightly wider 24mm in recent years. This may explain Nikon's reluctance to really invest in this length of lens - the relatively slow f2 aperture compares poorly with Nikon's 50mm offerings, and even the 28mm is available - for a price - at f1.4. Everything changes, though, with the advent of digital SLRs. Nikon's D1, D2, D75 and D100 all use a CCD which is the same size as APS rather than 135 film. The result is that all lenses behave as if they were about 1/3 longer. The humble 35mm is thus the equivalent of a 55mm, which is as close to the 50mm 'normal' length as makes no difference - at least ... Read More: >>More Details |
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3M PF14.1W LCD Widescreen Privacy Filter For Laptop Or Desktopfrom: 3M Best Selling > Photo > Filters and Adapters |
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35mm is a bit of an unusual lens for a 135 size SLR. 28mm is the 'standard' wide-angle lens, although many photographers have opted for the slightly wider 24mm in recent years. This may explain Nikon's reluctance to really invest in this length of lens - the relatively slow f2 aperture compares poorly with Nikon's 50mm offerings, and even the 28mm is available - for a price - at f1.4. Everything changes, though, with the advent of digital SLRs. Nikon's D1, D2, D75 and D100 all use a CCD which is the same size as APS rather than 135 film. The result is that all lenses behave as if they were about 1/3 longer. The humble 35mm is thus the equivalent of a 55mm, which is as close to the 50mm 'normal' length as makes no difference - at least ... Read More: >>More Details |
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Hama Circular Polarizer Filter 72mmfrom: Hama November 06, 2003 Best Selling > Photo > Filters and Adapters |
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35mm is a bit of an unusual lens for a 135 size SLR. 28mm is the 'standard' wide-angle lens, although many photographers have opted for the slightly wider 24mm in recent years. This may explain Nikon's reluctance to really invest in this length of lens - the relatively slow f2 aperture compares poorly with Nikon's 50mm offerings, and even the 28mm is available - for a price - at f1.4. Everything changes, though, with the advent of digital SLRs. Nikon's D1, D2, D75 and D100 all use a CCD which is the same size as APS rather than 135 film. The result is that all lenses behave as if they were about 1/3 longer. The humble 35mm is thus the equivalent of a 55mm, which is as close to the 50mm 'normal' length as makes no difference - at least ... Read More: >>More Details |
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Nikon AF-S 24-70mm/2.8G EDfrom: Nikon July 22, 2008 Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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Hama UV HTMC Filter 55mmfrom: Hama November 06, 2003 Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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Photographic solutions Eclipse Lens Filter And CCD sensor Cleaning Fluid 59mlfrom: Photographic Solutions Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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"Canon HV20 HV30 - 43mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - (NOT CANON BRAND)"from: SMART SHOP UK Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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B & W Filter 72mm UV Filter With Multi Resistant Coatingfrom: B + W March 10, 2008 Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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Nikon 77Mm Filter Nc Neutral Colourfrom: Nikon August 01, 2003 Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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Cokin Verlauf Grau 2 M P 121 Mfrom: Cokin Best Selling > Photo > Filters and Adapters |
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This is the most beautiful lens I've ever owned. It doesn't have any exciting features like macro limiting or Vibration Reduction - it just takes achingly crisp, superb photographs and focuses virtually instantly, with almost no measurable distortion for most of its range and very little chromatic aberration.
This is a lens with two applications, depending on what camera you put it on. On a DX camera, such as a D2X or D300, it offers the ideal range for portraits and groups, which is the equivalent of 36-105 on traditional film. On a film or FX camera (currently only the D3), it offers the key normal working ranges (equivalent of 16-47 on DX) which are most used by most photographers. In that sense, it has slightly less range ... Read More: >>More Details |
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