Having now heard her album, to compare her to Lily Allen is a travesty. Adele is far better, her smooth voice and song writing skill for starters...
And whilst we're on the subject of comparisons, there's only one similarity to Amy Winehouse - and that is I love both of their albums, when my expectations were low.
Daydreamer: A chilled, melodic start to her debut album, but on first listen you kinda want to skip it to speed up your new listening experience. This is definitely one of those tracks you have to listen to a few times. Vocally she is very good.
Best For Last: Sounds quite bluesy, simple yet effective guitar backing throughout the beginning. Then the song gets going, catchy, warming and just ... Read More:
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We brought this albumn after hearing the Sure advert song, Upside Down, and were very impressed with the whole albumn. The second half of it for me is the best.
Would defintiely recommend this and look forward to future albumns by Gabriella.
If you like Duffy, Katie Melua etc your sure to like this albumn
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I've left reviewing this for nine months and literally hundreds of listens. I don't believe that there's ever been another album I've played so often. And there's no sign of my growing tired of it. On the basis of a huge number of plays, I feel qualified to say that this is a truly wonderful album without a single weak track.
After seeing Goldfrapp on two consecutive nights (at Brixton) in November 2008, I couldn't bear to listen to anything other than Goldfrapp. Naturally, I gave their previous three albums fresh listens, as well as Seventh Tree. I was struck by the degree of continuity between the four albums. Some people will tell you that Seventh Tree is quite different from what went before. I no longer think that's true, ... Read More:
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Was wondering what to buy recently when I saw a review of this album and an interview with the singer in a sunday magazine.Turns out that this is a brilliant album,and has traces of blues,gospel,pop,country,and a touch of the brilliant Karen Carpenter about it.
Stand-out tracks for me include the intense deep gospel of Nobody's Fault But Mine and One Cloud,and the lighter yet still uplifting pop of So Sublime and i Shall Be Released.
A varied collection then in some ways,yet with a pleasing undercurrent of blues running throughout the whole album to string it all together and give it a sense of identity.
Really uplifting and at times extremely powerful! For once the hype may be justified!
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along with Duffy these are my 2 albums of the year. Every track is superb, very classy production and I love the use of horns on a lot of the tracks. Only 2 or 3 sound like Texas, otherwise you get Tamla, Nancy Sinatra and a French sound.I wish there were more songs as the 11 fly by when listening and its under 40 mins long. Do another next year Sharleen!
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Having generally skipped most of her albums since "Ray of Light" the 'new' image and musical direction shown on "4 Minutes" did little to make me want to buy this on initial release. However as a fan of older style Maddie tracks "Give It To Me" and the less dated "Miles Away" tipped the balance in the end.
The problem wth an album like this is it isn't going to impress genuine R'N'B or Rap fans, and neither is it going to satisfy the fans who want a follow-up to the dance-pop of "Confessions". So give her her due, she decided to straddle the genres and see what happened!
There are some good tracks on here, but there are also some painfully overlong ones and bouts of very lazy lyrics (something more apparent in recent albums). Starting ... Read More:
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Estelle has a good voice no doubt about it and American Boy is one of the songs of the summer. Sadly, such elements have failed to contribute to a memorable album which feels like a rushed cash in with production values so tired, you can ever hear them yawn!
American Boy sounded really fresh with a brilliant use of horns but the rest of the album is just derivative R&B that could have been produced by any female artist within the genre. Estelle struggles to stamp her own identity on any of the tracks and she just sounds like a vocalist singing someone else's work. Generally there is little passion and soul in this, I found myself barely noticing any differences between tracks. As a result, it feels more like lounge music than anything else.
I'll get straight to the point here: very, very boring and samey. Ordinary to the max. Die-hard JJ lovers will probably lap it up, but others - myself included - who expected something a little more hype-worthy and out-of-the-ordinary, will be left with a kind of blank "Oh, so that's it" expression on their faces if they didn't pay for it, and a sour taste in their mouths if they did. Try before you buy.
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I know that this band has influences from Coldplay and Keane, but they are much better than those bands in my opinion. I thought Keane's singles from the last album were great, especially Crystal ball, so I think this is more like the new Keane than the old Keane. Although I think OneRepublic is their own individual band and maybe they shouldn't be compared.
When I first heard this band's song re-mixed by Timbaland, I wasn't expecting the band to do any solo songs because I thought it was sort of organised by Timblalnd, but it turns out that Timbaland re-mixed OneRepublic's version of Apologize and made it sound better. There was just something about that song that attracted me to the band. When Stop and stare was first released, it took me a while to realise just how ... Read More:
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