I bought this after seeing the orchestra at the Henry Wood Proms, where they did a sensational concert which was greeted with wild applause, cheers and foot-stamping. It's brave of Dudamel to come up with this coupling, and on the whole it works. The orchestra as listed is huge, and if they all played, the ensemble and precision are remarkable. There is some very good solo playing, particularly from woodwind, and the recording is fine. The inner parts in the strings are sonorous and clearly defined and the bass line is always powerful and purposeful. Speeds are mostly conventional, though the final movement of the 7th. Symphony is very fast indeed. There is some most attractive phrasing, but equally there are a few places which don't work so ... Read More:
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I bought this after seeing the orchestra at the Henry Wood Proms, where they did a sensational concert which was greeted with wild applause, cheers and foot-stamping. It's brave of Dudamel to come up with this coupling, and on the whole it works. The orchestra as listed is huge, and if they all played, the ensemble and precision are remarkable. There is some very good solo playing, particularly from woodwind, and the recording is fine. The inner parts in the strings are sonorous and clearly defined and the bass line is always powerful and purposeful. Speeds are mostly conventional, though the final movement of the 7th. Symphony is very fast indeed. There is some most attractive phrasing, but equally there are a few places which don't work so ... Read More:
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Yes, it is true, there are technically better recordings of this work. However this is pretty amazing (especially the first two movements), given the age of the conductor and the orchestra members. I'm sure Dudamel will produice better, it would be a terrible shame if he peaked so young, but for now I am happy to enjoy this excellent recording. I await the future with anticipation!
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This is a huge subject, and Alex Ross does a great job of covering it. Not everyone will be happy if their pet composer or movement has been tackled only briefly (if at all), but it would be impossible to fit the entire century into a single volume. As a result of reading this I have been moved to listen to Schoenberg and Strauss (esp. the Metamorphosen) for the first time; they are challenging works but rewarding and it has been great to have my musical horizons expanded by reading this book.
For me, the book was worth buying for the chapter on Sibelius alone; the passage describing the walk around Ainola and linking it to Sibelius' music is just superb - it sent me straight back to my CD collection to dig out and listen to the symphonies ... Read More:
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This is a huge subject, and Alex Ross does a great job of covering it. Not everyone will be happy if their pet composer or movement has been tackled only briefly (if at all), but it would be impossible to fit the entire century into a single volume. As a result of reading this I have been moved to listen to Schoenberg and Strauss (esp. the Metamorphosen) for the first time; they are challenging works but rewarding and it has been great to have my musical horizons expanded by reading this book.
For me, the book was worth buying for the chapter on Sibelius alone; the passage describing the walk around Ainola and linking it to Sibelius' music is just superb - it sent me straight back to my CD collection to dig out and listen to the symphonies ... Read More:
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This Cistercian abbey has a continous history since its foundation. My only criticsm is that according to the Rule Cistercians should chant in the Ambrosian mode - very slow & ponderous, and this CD is a little too fast. One of the plus points is that Cistercians do not have choir boys so the overall effect is a deeper more inspiring chant.
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This Cistercian abbey has a continous history since its foundation. My only criticsm is that according to the Rule Cistercians should chant in the Ambrosian mode - very slow & ponderous, and this CD is a little too fast. One of the plus points is that Cistercians do not have choir boys so the overall effect is a deeper more inspiring chant.
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Hey guys , I read the book but from my own experience in learning a foreign language i found it a bit too strange for Lev to learn english
so quickly as he learned . I mean , at first he couldnt even speak but after a short time he was fluent in the language already ?
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This has to be the most exuberant production of all time. There is not a moment wasted and the direction and acting are sensational.
This is a lyrical tour de force. How does Natalie Dessay manage to control her voice whilst lying down or being thrown around? Juan Diego Flores is a delight and in fine voice and the supporting cast is wonderful.
As a fan of "The Armed Man', 'Requiem' and 'This Land Of Ours', it's no wonder I listened to the CD prepared to be instantly blown away. However, at first I found it to be less inspired than the previous works, yet was delighted to find Jenkins was coming to my home town to conduct Stabat Mater, which I went to see last night.
It's true that the movements with more pace have the signature quirky rhythms we have come to expect from Karl Jenkins; yet the more contemplative movements are profound and poignant, particularly those featuring the amazing Belinda Sykes. Her Arabic singing and playing of the duduk (which I discovered last night is a recorder-sized instrument with a double reed) is nothing short of mesmerising, both on the CD and live. The work ... Read More:
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